Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Caspar David Friedrich Dolmen in snow oil painting


Dolmen in snow
circa 1807(1807) Medium oil on canvas Dimensions 62 x 80 cm cyf
Painting ID::  97936 		Caspar David Friedrich
Dolmen in snow
circa 1807(1807) Medium oil on canvas Dimensions 62 x 80 cm cyf
   
   
     
Caspar David Friedrich Waft of Mist oil painting


Waft of Mist
1820 Medium oil on canvas Dimensions 32.5 x 42.5 cm cyf
Painting ID::  98019 		Caspar David Friedrich
Waft of Mist
1820 Medium oil on canvas Dimensions 32.5 x 42.5 cm cyf
   
   
     
Caspar David Friedrich Self portrait oil painting


Self portrait
circa 1810-20 Medium oil on canvas Dimensions 67 x 52.4 cm cyf
Painting ID::  98054 		Caspar David Friedrich
Self portrait
circa 1810-20 Medium oil on canvas Dimensions 67 x 52.4 cm cyf
   
   
     
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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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